* Denotes Worst Nomination Nominee
BEST PICTURE
Amour*
- the only action in this movie is the struggle between its Frenchness and its
indomitable boredom. France surrenders in the end, as one might expect. However, I
submit that a crack team of Gurkas could execute a perfect double-envelopment
on this movie’s boredom and still end up waving a white flag.
Argo –
A pleasantly watchable film of no lasting significance
Beasts of
the Southern Wild * - The late Christopher Hitchens said of jokes about
George W. Bush’s intelligence that they are “the jokes that stupid people tell
themselves.” I saw him tell this to a Bill Maher audience and they were
devastated, because they all thought of themselves as smart, they all respected
Hitchens, and they all liked “W is dumb” jokes. So I choose my words carefully
at the risk of offending people I like. This is the movie that stupid people
think is brilliant. But the setting is interesting.
Django
Unchained – Let’s just keep on righting historical injustices with brutal
violence, wisecracks, and carefully crafted Tarantino scenes. Next stop,
Soviet-induced Ukranian famine!
Les
Misérables – Automatic popular musical nomination. The movie’s OK, the
musical sucks. The best characters all get killed off too quickly, the
uninteresting twits survive, the good songs don’t last long enough, and the bad
songs go on too long.
Life of
Pi – Objectively a very good movie. Subjectively, it didn’t speak to me.
Lincoln
– I walked out of the movie ready to name my first born Abraham/Lincoln Kahrl.
So, yeah, I liked it.
Silver
Linings Playbook * - To the surprise of everyone the year’s passably
watchable chick flick is inexplicably nominated for not one but 8 Academy Awards.
Zero Dark
Thirty – Plays out more like a re-enactment or police procedural than a movie. Well made, but
critically lacking in character development.
WILL WIN:
Lincoln. The only real contender that I would be
comfortable with winning otherwise would be Life of Pi.
SHOULD WIN:
Lincoln. To be fair, Lincoln has its warts. It botches the opening and the
ending, especially the assassination. But everything in between is an all-time
classic.
BIGGEST
SNUB:
Skyfall
– The pitch-perfect Bond in every way except one. Strong Bond, great villain,
great song, great opening, irreversible things happen, it looks great…the only
misstep was the afterthought love interest.
BIGGEST
SNUB NOMINATIONS:
This was a
particularly tone-deaf year for Hollywood, but I’ve narrowed it down to the
biggest snubs of the snubs:
Javier
Bardem – Skyfall
Katherine
Bigelow – Zero Dark Thirty
Joe
Carnahan & Ian Mackenzie Jeffers – The Grey
Samuel L.
Jackson – Django Unchained
Skyfall
BIGGEST
SNUB: Javier Bardem. Best Bond villain ever. Best thing in anything this
year.
WORST
NOMINATIONS:
Amour
Amy Adams
– The Master
Beasts of
the Southern Wild
Silver
Linings Playbook (Let’s just bundle up the bulk of the nominations)
WORST
NOMINATION: Silver Linings Playbook
Amour has a
scene with 30 seconds of the maid vacuuming. It’s one of the more action-packed
scenes.
As for Amy
Adams…at one point in my high school football career, the coaches experimented
by switching me from corner to linebacker against a wing-t team with two
300-lbs guards. Predictably blown up by one of these behemoths, I ended up
landing next to the tackled running back. The stadium announcer regrettably
added, “Justin Kahrl also in on the tackle.” The point is, sometimes you don’t
want recognition for landing next to someone else’s success.
Beasts of
the Southern Wild has that setting I guess.
But the
biggest disgrace is the surfeit of nominations thrown at Silver Linings
Playbook. 8 nominations. 8. You know what else got 8 nominations? CASABLANCA!
There are
two possibilities here:
The first is
reverse sexism. Men are aware to the point of pride that their guilty pleasures
are not art. Is it possible that enough women confuse chick flicks for art that
this happened? Is that a thing? I mean, the Nolan Batman trilogy has way more
to say than Silver Linings Playbook and yet it can’t even sniff a Best Picture.
The other
possibility is that current Hollywood kingpin Harvey Weinstein produced both
Argo and Silver Linings Playbook and decided to cock-slap America in the face
by forcing everyone to pretend that his bubblicious is kobe beef…twice.
No comments:
Post a Comment