DAY 5: GIMMICKLESS OSCARS PREVIEW CONCLUSION
No preview would be complete without discussing the Aniston for every Jolie. I still think Brad's with the wrong girl by the way.
- BIGGEST SNUBS
* Christopher Nolan – Director – Inception involved zero gravity fighting and four simultaneous plots. The King’s Speech involved a guy stuttering.
* Easy A – Fantastically written, this generation’s Clueless, this movie was everything that the expansion of the Oscar’s was meant to address. Maybe there was no room in a crowded best actress field, but either best film or best screenplay is more than deserved.
* Julianne Moore – The only thing propping up The Kids Are All Right was the acting. Moore is the best thing in the movie, as she frequently is. She’s reached auto-nod status in my book. I have a soft spot for all Lebowski alumni. "Don't be fatuous Jeffrey."
* Tron’s Art – The most visually memorable film since Avatar…got no nominations for technical or artistic achievement.
* Waiting for Superman – If not the biggest snub then certainly the most expected. At this point, almost all “documentaries” are at best termed “advocacy” films. A cynic might call them “propaganda” or worse, “for-profit campaign lit.” Regardless, I believe in a no bullshit world – if this is the award for the best hard left “advocacy” film, then they should just call it that up front.
WINNER: Christopher Nolan
- WORST NOMINATION
* Mark Ruffalo – A friend of mine met Fabio once and described him as having “anti-personality” in the same sense as physicists speculate there must be anti-matter to balance all of their equations. Ruffalo is on my short list of actors who have “anti-screen presence,” a trait skillfully employed in The Kids Are All-Right as a sub-plot of its own: Will Mr. Ruffalo’s lack of talent spontaneously combust on screen. Go watch his role in Shutter Island…I say role because “performance” would be inaccurate. He seems serially unaware of what’s going on in the scene around him…silently reviewing his line in his head until it’s his turn to talk.
* The Illusionist – Sitting on one remaining animated film nomination, and looking at worthwhile entries like Despicable Me, Tangled, and Megamind, the academy instead turns to an unknown European film which may or may not involve Edward Norton being a magician.
* The Kids Are All Right – I have always wondered why people write films with no likeable characters. The kids are abysmal, the “father” is a cad, one mother is a bitter alcoholic and the other is a flake. I was pulling for the gardener...who gets fired for having a goofy look on his face.
* David Russell – The Fighter – This was not a noteworthy directorial performance, and the nomination is made all the stranger by, and I cannot stress this enough, the absolutely indefensible choice not to include the Gatti-Ward boxing matches. It’s like making a Holocaust movie with no death camp: the point is missed and the movie is just a miserable train ride.
* Kick Ass’s Writer – This movie was great fun and had plenty of catchy one liners. Fully deserving of attention.
WINNER: Mark Ruffalo
THE YEAR’S REAL TOP 10 REGARDLESS OF GENRE:
1. Black Swan
2. Easy A
3. Inception
4. Kick Ass
5. Waiting for Superman
6. The Town
7. The Book of Eli
8. The Social Network
9. The A-Team
10. The Last Exorcism
HONORABLE MENTION: Cop Out, Despicable Me, JackAss 3D, The Other Guys, True Grit
Friday, February 25, 2011
Thursday, February 24, 2011
GIMMICKLESS OSCAR PREVIEW 2010-11: DAY 4 - THE BIG AWARDS
Best Picture
• “Black Swan” – This movie is like the ballet version of Raging Bull – claustrophobic to watch, brilliant…One of the best movies I’ve seen. I never want to see it again.
• “The Fighter” – 2 hours better spent re-watching Gatti-Ward I.
• “Inception” – If this had been released as a holiday awards contender rather than a summer blockbuster, it might actually be in the conversation to win. If it has a weakness, it was some of the acting. Joseph Gordon-Levitt and Ellen Page have that ‘permanent teenager’ look that belongs in Scream 4, not high-level action.
• “The Kids Are All Right” – A Lifetime movie dressed up by the presence of real actors and passed through to this round as the token LGBT nomination.
• “The King's Speech” – Something tells me that the royal family is secretly funding all of these sympathetic portrayals of the current royal line to cover up their collusion in controlling the world drug trade. Maybe that something is a Lyndon Larouche pamphlet.
• “127 Hours” – The lesson is…update your facebook status before you go camping.
• “The Social Network” – If this were an award for best preview, this is the movie of the decade. Perfectly enjoyable, I doubt this is a film that has much staying power as anything other than how we see Mark Zuckerberg for the rest of his obscenely wealthy life.
• “Toy Story 3” – I’m that guy that didn’t love this movie. Pixar’s genius comes from its boundless creativity. I’m impressed that they’ve squeezed so much juice out of this orange, but I prefer their more exotic flavors.
• “True Grit” – I am bound to thoroughly enjoy any Coen Brothers movie, so I’ll focus on my criticisms. I found this one jumped around too much in tone between their silly movies and their serious movies. It also seemed to have been trimmed too close – some of the actors deserved more screen time and there aren’t enough of their trademark set-pieces in the back half of the film. Also it ends on an unnecessarily flat note that I can’t be convinced to like - their third consecutive abrupt and unsatisfying ending and the one with the least artistic purpose behind it.
• “Winter's Bone" – I guess we have to keep nominating dramas or no one will ever make any. A good solid film but nothing more.
SHOULD WIN: Black Swan
WILL WIN: The Social Network – I’m going for the dark horse candidate because I just have to hope that somehow Hollywood’s destructive addiction to British period drama cannot long endure.
Directing
• “Black Swan” Darren Aronofsky
• “The Fighter” David O. Russell
• “The King's Speech” Tom Hooper
• “The Social Network” David Fincher
• “True Grit” Joel Coen and Ethan Coen
SHOULD WIN: Christopher Nolan. Inception was directorial origami. Of these 5, I’d say Aronofsky deserves to win.
WILL WIN: David Fincher – I’m a fan, he’s due.
The Daniel Day Lewis Actor in a Leading Role Award
• Javier Bardem in “Biutiful” is Hispanic and brooding in that foreign language film no one saw. This nomination screams, “token diversity nomination.” Someone get Denzel out of his latest train-related film and into a real role. Mr. Bardem already won for No Country and he’s married to Penelope Cruz so I can’t imagine he’ll be heartbroken when he loses.
• Jeff Bridges in “True Grit” is the John Wayne Dude. No matter where he goes or who he plays, no matter how layered up with scotch and grit, Jeff Bridges will always be The Dude.
• Jesse Eisenberg in “The Social Network” is the snarky kid from Zombieland…and about to be the richest man in the world. This is a script-derived nomination, you can’t tell if this guy is acting. I have no clue where he will be in 10 years – he’s one of those people you can never picture as a grown man even though he’s probably 30 already. He should be in Scream 4 too.
• LL Col Firth in “The King's Speech” is an unstoppable freight-train of Oscarness – English, royalty, disability. Bonus points for being named Colin. I do not understand why all of my female friends are in love with Colin Firth. To me, he looks a lot like a young Michael Caine and I expect the same career arc.
• James Franco in “127 Hours” is a man trapped under a rock…left on screen, alone for roughly an hour, Franco carries an unsellable concept. I have to be honest, I thought he was career-killing abysmal in the Spider Man movies. I was wrong - he's kind of cool and likable.
SHOULD WIN: James Franco
WILL WIN: Colin Firth
Actor in a Supporting Role
• Christian Bale in “The Fighter” is the lead as a cracked out boxer with a regional accent, but gets called the supporting actor because the movie was technically about Markie Mark’s character.
• John Hawkes in “Winter's Bone” is a much less famous actor also playing a cracked out man with a regional accent.
• Jeremy Renner in “The Town” may or may not be cracked out, has a regional accent, and robs banks.
• Mark Ruffalo in “The Kids Are All Right” is wandering around in a post-cracked-out daze when he discovers his sperm was used to inseminate two lesbians. Queue emotional diarrhea and confused looks that could be interpreted to be a California accent.
• Geoffrey Rush in “The King's Speech” is not cracked out, but is Australian, so he kind of acts like it.
SHOULD WIN: Christian Bale
WILL WIN: Geoffrey Rush – I figure Christian Bale is generally disliked.
The Meryl Streep Actress in a Leading Role Award
• Annette Bening in “The Kids Are All Right” is unnervingly convincing as the…more masculine member of a lesbian couple. I’m not up on what the allowable term is. Bull-lesbian? Blesbian? Anyways, if I’m Warren Beatty, I have to be wondering.
• Nicole Kidman in “Rabbit Hole” is someone that old academy voters want to see show up in a dress.
• Jennifer Lawrence in “Winter's Bone” is affecting as a tough girl in a rough place.
• Natalie Portman in “Black Swan” is deeply affecting as a soft girl in a rough place.
• Michelle Williams in “Blue Valentine” is in this year’s well-regarded love story movie.
SHOULD WIN: Natalie Portman
WILL WIN: Natalie Portman.
Actress in a Supporting Role
• Amy Adams in “The Fighter” is unnervingly convincing as a semi-trashy bartendress. I’m impressed, definitely not Enchanted.
• Helena Bonham Carter in “The King's Speech” imbues an aimless depiction of a dull queen with her limitless screen presence.
• Melissa Leo in “The Fighter” is understandably convincing as a semi-trashy mom.
• Hailee Steinfeld in “True Grit” is inexplicably named a supporting actress in a movie that’s about her. Anyways, a sharp performance in a year full of strong female performances.
• Jacki Weaver in “Animal Kingdom” is supposed to be good in the movie that Netflix didn’t deliver in time.
SHOULD WIN: Steinfeld.
WILL WIN: Jacki Weaver. Has that indie buzz, plus she’s English.
Best Picture
• “Black Swan” – This movie is like the ballet version of Raging Bull – claustrophobic to watch, brilliant…One of the best movies I’ve seen. I never want to see it again.
• “The Fighter” – 2 hours better spent re-watching Gatti-Ward I.
• “Inception” – If this had been released as a holiday awards contender rather than a summer blockbuster, it might actually be in the conversation to win. If it has a weakness, it was some of the acting. Joseph Gordon-Levitt and Ellen Page have that ‘permanent teenager’ look that belongs in Scream 4, not high-level action.
• “The Kids Are All Right” – A Lifetime movie dressed up by the presence of real actors and passed through to this round as the token LGBT nomination.
• “The King's Speech” – Something tells me that the royal family is secretly funding all of these sympathetic portrayals of the current royal line to cover up their collusion in controlling the world drug trade. Maybe that something is a Lyndon Larouche pamphlet.
• “127 Hours” – The lesson is…update your facebook status before you go camping.
• “The Social Network” – If this were an award for best preview, this is the movie of the decade. Perfectly enjoyable, I doubt this is a film that has much staying power as anything other than how we see Mark Zuckerberg for the rest of his obscenely wealthy life.
• “Toy Story 3” – I’m that guy that didn’t love this movie. Pixar’s genius comes from its boundless creativity. I’m impressed that they’ve squeezed so much juice out of this orange, but I prefer their more exotic flavors.
• “True Grit” – I am bound to thoroughly enjoy any Coen Brothers movie, so I’ll focus on my criticisms. I found this one jumped around too much in tone between their silly movies and their serious movies. It also seemed to have been trimmed too close – some of the actors deserved more screen time and there aren’t enough of their trademark set-pieces in the back half of the film. Also it ends on an unnecessarily flat note that I can’t be convinced to like - their third consecutive abrupt and unsatisfying ending and the one with the least artistic purpose behind it.
• “Winter's Bone" – I guess we have to keep nominating dramas or no one will ever make any. A good solid film but nothing more.
SHOULD WIN: Black Swan
WILL WIN: The Social Network – I’m going for the dark horse candidate because I just have to hope that somehow Hollywood’s destructive addiction to British period drama cannot long endure.
Directing
• “Black Swan” Darren Aronofsky
• “The Fighter” David O. Russell
• “The King's Speech” Tom Hooper
• “The Social Network” David Fincher
• “True Grit” Joel Coen and Ethan Coen
SHOULD WIN: Christopher Nolan. Inception was directorial origami. Of these 5, I’d say Aronofsky deserves to win.
WILL WIN: David Fincher – I’m a fan, he’s due.
The Daniel Day Lewis Actor in a Leading Role Award
• Javier Bardem in “Biutiful” is Hispanic and brooding in that foreign language film no one saw. This nomination screams, “token diversity nomination.” Someone get Denzel out of his latest train-related film and into a real role. Mr. Bardem already won for No Country and he’s married to Penelope Cruz so I can’t imagine he’ll be heartbroken when he loses.
• Jeff Bridges in “True Grit” is the John Wayne Dude. No matter where he goes or who he plays, no matter how layered up with scotch and grit, Jeff Bridges will always be The Dude.
• Jesse Eisenberg in “The Social Network” is the snarky kid from Zombieland…and about to be the richest man in the world. This is a script-derived nomination, you can’t tell if this guy is acting. I have no clue where he will be in 10 years – he’s one of those people you can never picture as a grown man even though he’s probably 30 already. He should be in Scream 4 too.
• LL Col Firth in “The King's Speech” is an unstoppable freight-train of Oscarness – English, royalty, disability. Bonus points for being named Colin. I do not understand why all of my female friends are in love with Colin Firth. To me, he looks a lot like a young Michael Caine and I expect the same career arc.
• James Franco in “127 Hours” is a man trapped under a rock…left on screen, alone for roughly an hour, Franco carries an unsellable concept. I have to be honest, I thought he was career-killing abysmal in the Spider Man movies. I was wrong - he's kind of cool and likable.
SHOULD WIN: James Franco
WILL WIN: Colin Firth
Actor in a Supporting Role
• Christian Bale in “The Fighter” is the lead as a cracked out boxer with a regional accent, but gets called the supporting actor because the movie was technically about Markie Mark’s character.
• John Hawkes in “Winter's Bone” is a much less famous actor also playing a cracked out man with a regional accent.
• Jeremy Renner in “The Town” may or may not be cracked out, has a regional accent, and robs banks.
• Mark Ruffalo in “The Kids Are All Right” is wandering around in a post-cracked-out daze when he discovers his sperm was used to inseminate two lesbians. Queue emotional diarrhea and confused looks that could be interpreted to be a California accent.
• Geoffrey Rush in “The King's Speech” is not cracked out, but is Australian, so he kind of acts like it.
SHOULD WIN: Christian Bale
WILL WIN: Geoffrey Rush – I figure Christian Bale is generally disliked.
The Meryl Streep Actress in a Leading Role Award
• Annette Bening in “The Kids Are All Right” is unnervingly convincing as the…more masculine member of a lesbian couple. I’m not up on what the allowable term is. Bull-lesbian? Blesbian? Anyways, if I’m Warren Beatty, I have to be wondering.
• Nicole Kidman in “Rabbit Hole” is someone that old academy voters want to see show up in a dress.
• Jennifer Lawrence in “Winter's Bone” is affecting as a tough girl in a rough place.
• Natalie Portman in “Black Swan” is deeply affecting as a soft girl in a rough place.
• Michelle Williams in “Blue Valentine” is in this year’s well-regarded love story movie.
SHOULD WIN: Natalie Portman
WILL WIN: Natalie Portman.
Actress in a Supporting Role
• Amy Adams in “The Fighter” is unnervingly convincing as a semi-trashy bartendress. I’m impressed, definitely not Enchanted.
• Helena Bonham Carter in “The King's Speech” imbues an aimless depiction of a dull queen with her limitless screen presence.
• Melissa Leo in “The Fighter” is understandably convincing as a semi-trashy mom.
• Hailee Steinfeld in “True Grit” is inexplicably named a supporting actress in a movie that’s about her. Anyways, a sharp performance in a year full of strong female performances.
• Jacki Weaver in “Animal Kingdom” is supposed to be good in the movie that Netflix didn’t deliver in time.
SHOULD WIN: Steinfeld.
WILL WIN: Jacki Weaver. Has that indie buzz, plus she’s English.
Wednesday, February 23, 2011
GIMMICKLESS OSCAR PREVIEW 2010-11: DAY 3
The Other Awards (i.e. why the broadcast takes so long). On the subject, has anyone thought that this thing might better be made a 3 day affair. Technical awards day 1, these awards that no one cares about day 2, big names day 3. We'd all get to bed at a more reasonable hour. Except for the writers, who deserve garlands thrown at their feet.
Animated Feature Film
• “How to Train Your Dragon” Chris Sanders and Dean DeBlois
• “The Illusionist” Sylvain Chomet
• “Toy Story 3” Lee Unkrich
SHOULD WIN: Despicable Me
WILL WIN: Toy Story 3
COMMENT: Every year Pixar makes an animated film it gets nominated for best picture. No other animated film gets nominated. The result is that there is little reason not to announce the winner in advance. That said, I never dug the Toy Story films. Despicable Me was more fun and funnier. In fact, I sort of preferred Tangled to all these films as well.
Art Direction
• “Alice in Wonderland”
• “Harry Potter and the Deathly Hallows Part 1”
• “Inception”
• “The King's Speech”
• “True Grit”
SHOULD WIN: Tron Legacy – I'm not an art expert, but I know what I like. No one can honestly say that any of the nominated films have the same iconic imagery that Tron Legacy will be remembered for. I should also send some love out to Tangled's lantern scene...I'd use the word magical...but I'm a grown man.
WILL WIN: The King’s Speech – An English period piece. They just can’t help themselves.
Cinematography
• “Black Swan” Matthew Libatique
• “Inception” Wally Pfister
• “The King's Speech” Danny Cohen
• “The Social Network” Jeff Cronenweth
• “True Grit” Roger Deakins
SHOULD WIN: The Book of Eli - Terrific use of color and the attention to detail in masking the twist was award-worthy. Also, The American could also use a bit of nomination-love.
WILL WIN: The King’s Speech
Costume Design
• “Alice in Wonderland” Colleen Atwood
• “I Am Love” Antonella Cannarozzi
• “The King's Speech” Jenny Beavan
• “The Tempest” Sandy Powell
• “True Grit” Mary Zophres
SHOULD WIN: I confess I neither know nor care. As anyone who has seen my wardrobe can attest, the answer is, “Not Justin.”
WILL WIN: The King’s Speech
Documentary (Feature)
• “Exit through the Gift Shop” Banksy and Jaimie D'Cruz
• “Gasland” Josh Fox and Trish Adlesic
• “Inside Job” Charles Ferguson and Audrey Marrs
• “Restrepo” Tim Hetherington and Sebastian Junger
• “Waste Land” Lucy Walker and Angus Aynsley
SHOULD WIN: Waiting for Superman. Hollywood is a huge union town, so there was no way the year's obvious winner was going to get nominated for calling out the teacher's union for holding back meaningful educational reform even if it was made by an arts community dynasty (Guggenheims).
WILL WIN: Inside Job. Hollywood is not as big of a Wall Street town
Visual Effects
• “Alice in Wonderland”
• “Harry Potter and the Deathly Hallows Part 1”
• “Hereafter”
• “Inception”
• “Iron Man 2”
SHOULD WIN: Prince of Persia: Sands of Time. I know that the words would choke in the presenter's mouth, but again, this isn't an award for best script.
WILL WIN: Inception - The only blockbuster to live up to the hype this year has to win at least one token award.
Writing (Adapted Screenplay)
• “127 Hours” Screenplay by Danny Boyle & Simon Beaufoy
• “The Social Network” Screenplay by Aaron Sorkin
• “Toy Story 3” Screenplay by Michael Arndt; Story by John Lasseter, Andrew Stanton and Lee Unkrich
• “True Grit” Written for the screen by Joel Coen & Ethan Coen
• “Winter's Bone” Adapted for the screen by Debra Granik & Anne Rosellini
SHOULD WIN: Aaron Sorkin - The Social Network
WILL WIN: Aaron Sorkin - The Social Network
COMMENT: Sorkin's a big name and there was plenty of sharp dialog to earn him his trophy.
Writing (Original Screenplay)
• “Another Year” Written by Mike Leigh
• “The Fighter” Screenplay by Scott Silver and Paul Tamasy & Eric Johnson;
Story by Keith Dorrington & Paul Tamasy & Eric Johnson
• “Inception” Written by Christopher Nolan
• “The Kids Are All Right” Written by Lisa Cholodenko & Stuart Blumberg
• “The King's Speech” Screenplay by David Seidler
SHOULD WIN: Christopher Nolan - Inception
WILL WIN: Christopher Nolan – Inception – It’s such a clever idea, so well executed. It would be a shame if it got lost in the King’s stuttering Speech.
The Other Awards (i.e. why the broadcast takes so long). On the subject, has anyone thought that this thing might better be made a 3 day affair. Technical awards day 1, these awards that no one cares about day 2, big names day 3. We'd all get to bed at a more reasonable hour. Except for the writers, who deserve garlands thrown at their feet.
Animated Feature Film
• “How to Train Your Dragon” Chris Sanders and Dean DeBlois
• “The Illusionist” Sylvain Chomet
• “Toy Story 3” Lee Unkrich
SHOULD WIN: Despicable Me
WILL WIN: Toy Story 3
COMMENT: Every year Pixar makes an animated film it gets nominated for best picture. No other animated film gets nominated. The result is that there is little reason not to announce the winner in advance. That said, I never dug the Toy Story films. Despicable Me was more fun and funnier. In fact, I sort of preferred Tangled to all these films as well.
Art Direction
• “Alice in Wonderland”
• “Harry Potter and the Deathly Hallows Part 1”
• “Inception”
• “The King's Speech”
• “True Grit”
SHOULD WIN: Tron Legacy – I'm not an art expert, but I know what I like. No one can honestly say that any of the nominated films have the same iconic imagery that Tron Legacy will be remembered for. I should also send some love out to Tangled's lantern scene...I'd use the word magical...but I'm a grown man.
WILL WIN: The King’s Speech – An English period piece. They just can’t help themselves.
Cinematography
• “Black Swan” Matthew Libatique
• “Inception” Wally Pfister
• “The King's Speech” Danny Cohen
• “The Social Network” Jeff Cronenweth
• “True Grit” Roger Deakins
SHOULD WIN: The Book of Eli - Terrific use of color and the attention to detail in masking the twist was award-worthy. Also, The American could also use a bit of nomination-love.
WILL WIN: The King’s Speech
Costume Design
• “Alice in Wonderland” Colleen Atwood
• “I Am Love” Antonella Cannarozzi
• “The King's Speech” Jenny Beavan
• “The Tempest” Sandy Powell
• “True Grit” Mary Zophres
SHOULD WIN: I confess I neither know nor care. As anyone who has seen my wardrobe can attest, the answer is, “Not Justin.”
WILL WIN: The King’s Speech
Documentary (Feature)
• “Exit through the Gift Shop” Banksy and Jaimie D'Cruz
• “Gasland” Josh Fox and Trish Adlesic
• “Inside Job” Charles Ferguson and Audrey Marrs
• “Restrepo” Tim Hetherington and Sebastian Junger
• “Waste Land” Lucy Walker and Angus Aynsley
SHOULD WIN: Waiting for Superman. Hollywood is a huge union town, so there was no way the year's obvious winner was going to get nominated for calling out the teacher's union for holding back meaningful educational reform even if it was made by an arts community dynasty (Guggenheims).
WILL WIN: Inside Job. Hollywood is not as big of a Wall Street town
Visual Effects
• “Alice in Wonderland”
• “Harry Potter and the Deathly Hallows Part 1”
• “Hereafter”
• “Inception”
• “Iron Man 2”
SHOULD WIN: Prince of Persia: Sands of Time. I know that the words would choke in the presenter's mouth, but again, this isn't an award for best script.
WILL WIN: Inception - The only blockbuster to live up to the hype this year has to win at least one token award.
Writing (Adapted Screenplay)
• “127 Hours” Screenplay by Danny Boyle & Simon Beaufoy
• “The Social Network” Screenplay by Aaron Sorkin
• “Toy Story 3” Screenplay by Michael Arndt; Story by John Lasseter, Andrew Stanton and Lee Unkrich
• “True Grit” Written for the screen by Joel Coen & Ethan Coen
• “Winter's Bone” Adapted for the screen by Debra Granik & Anne Rosellini
SHOULD WIN: Aaron Sorkin - The Social Network
WILL WIN: Aaron Sorkin - The Social Network
COMMENT: Sorkin's a big name and there was plenty of sharp dialog to earn him his trophy.
Writing (Original Screenplay)
• “Another Year” Written by Mike Leigh
• “The Fighter” Screenplay by Scott Silver and Paul Tamasy & Eric Johnson;
Story by Keith Dorrington & Paul Tamasy & Eric Johnson
• “Inception” Written by Christopher Nolan
• “The Kids Are All Right” Written by Lisa Cholodenko & Stuart Blumberg
• “The King's Speech” Screenplay by David Seidler
SHOULD WIN: Christopher Nolan - Inception
WILL WIN: Christopher Nolan – Inception – It’s such a clever idea, so well executed. It would be a shame if it got lost in the King’s stuttering Speech.
Tuesday, February 22, 2011
DAY 2 OF THE ONLY REAL OSCAR'S REVIEW:
WORST BIG NAME MOVIE:
- Alice in Wonderland – Alice is always a challenge because it has no real plot and is loaded with period references that have no bearing on the modern world. Faced with this challenge, Disney gave it the Hero with a Thousand Faces treatment. The magic of the original book is believed to have been accidentally locked in the supply shed for the Country Bear Vacation Hoedown.
- Edge of Darkness – When you’re as reviled as Mel Gibson has become and you insist on continuing to make movies, every line has to be a shot across the bow of anyone who dares question your talent. Instead, Gibson appears to have extended a withered olive branch on corporate greed. If he wants back in, he should just go ahead and make a reverential Holocaust movie. If not, he should take a page out of Brock Lesnar’s book and double down on being Hollywood’s renegade villain.
- Grown Ups – What if we got several slightly past-peak comedians together and they all decided to not be that funny for 2 hours? Somehow, no one’s flagging career arc was altered.
- Killers – This movie is an interesting experiment in what happens when you have nearly an hour of set-up for a movie that has no plot. Anyways, it was nice to see Tom Selleck’s mustache grimacing on the big screen again.
- Harry Potter Part 7 Part 1 – A gorgeous two hour picture book for vacationing in rural England. A brilliant time to cash in, knowing that it’s too late in the series to kill fan interest in the films with a dud. And oh what a dud. As the one person on earth who has never read a line written by J.K. Rowling, I assure you that as a stand alone movie, this was a disaster of Baron Von Munchausen proportions.
WINNER: Harry Potter Part 7 Part 1. (CAUTION: I was not able to view The Tourist for the purposes of this review. I’m told it’s a strong contestant.)
OUTRIGHT WORST MOVIE:
- I’m Still Here. Joaquin Phoenix memorably grew a beard and went all Fear & Loathing on Letterman, then announcing a move into rapping about 4 years after the shock humor of white guys rapping poorly stopped being funny. This is the sort of career move that makes Andy Kaufman’s 'wrestling women' idea look like Sinatra landing the supporting role in From Here to Eternity. Casey Affleck, circling the drain that his brother Ben recently escaped from, decided to make a semi-planned mockumentary. Put it all together and you have several hours of unwatchable footage of a blathering, coked out hobo bleeding money.
BIGGEST DISAPPOINTMENT:
- Dinner for Schmucks – If we learned one thing from The Cable Guy, it's that funny people can go too far and just be creepy. Dinner for Schmucks' creative team did not see The Cable Guy.
- The Expendables – I gave the preview a standing ovation. I had this idea plus Jackie Chan a decade ago. However, my version did not involve B movie action and no wit.
- The Fighter – For anyone who loves boxing, the Gatti-Ward fights are the definition of the sport at its best. So in making a movie about Mickey Ward, one might reasonably expect a climax with at least the first Gatti-Ward fight. Instead, I left the theater wondering if there was going to be a sequel.
- Knight & Day – Tom Cruise can do whatever he wants at this point in his career. But given his bizarre, extremely public mania, the creepy stalker spy movie idea is kind of like Michael Jackson writing a song about child abuse.
- Secretariat – The underlying rhythm of any pet movie is the animal. For dogs, it’s family. For cats, it’s mystery. In the case of horses, it’s the majesty of the animal. Instead, the horse of all horses spends very little time on camera while we receive a lesson in small business. The worst moment has to be the muted, lo-fi audio knock off of Chic Anderson’s epic, “Tremendous Machine,” call. Given how badly the endings to the year’s top sports movies were botched, it's no wonder LA still doesn't have a football team.
WINNER: The Expendables. Much like Joe Gibbs’ comeback, sometimes the game is too far past you to get caught up.
MOST UNNECESSARY SEQUEL:
- Cats & Dogs: The Revenge of Kitty Galore – Couldn’t this have gone straight to video?
- Little Fockers – After you make one bad sequel, you stop.
- Saw VII – Saw came out in 2004. We have not had a Saw-less year since. Saw 3D was actually billed “The Final Chapter”. Can this madness be stopped?
- Step Up 3D – The unintended consequence of the 3D phenomenon was that every bad movie with a worse sequel had an excuse to make number 3.
- Wall Street: Money Never Sleeps – This wasn’t a bad idea, or even a bad movie. But the ending, with a redeemed Michael Douglas, kills the whole concept. This movie screams for a, “There Will Be Blood” ending – Gecko back on top, remorseless and enthroned, drinking Shia's milk shake. Instead, money goes to sleep in a tidy, focus-group tested, cliché-Hollywood crib.
WINNER: Little Fockers. I think this movie was made only because someone thought the title was funny.
MOST SURPRISINGLY WATCHABLE:
- Fighting
- Karate Kid
- MacGruber
- Predators
- She’s Out of My League
WINNER: Predators. I was sure this franchise was dead and buried. Who knew that Adrien the Kissing Bandit could resurrect it?
BEST LINE TO QUOTE WITHOUT REMORSE:
“We push ourselves, we work around the clock.” “I ALREADY WORK AROUND THE CLOCK!”
– Extraordinary Measures
RUNNER UP: “What’s your number? I find most guys on Wall Street have a specific number in mind of how much they make before they walk away.” “More.”
– Wall Street: Money Never Sleeps
BEST TWIST:
- The Book of Eli
- Inception
- The Other Guys
- Salt
- Shutter Island
WINNER: The Book of Eli. Inception and Salt are nothing but twist, so you can’t pin down that big twist at the end. Shutter Island has you waiting for the twist all movie long. The Other Guys throws the twist at you at the beginning (and it’s damn good). The Book of Eli gets the twist right – you never see it coming.
WILDLY OVERPLAYED CLICHÉ OF THE YEAR:
- Hot girl/old lady as ninja action star. In the 90’s, feminism finally began sniping at the walls of action films, questioning the time-honored damsel-in-distress story line. The result was an early generation of avante guard female actions stars - Sarah Connor, anything with Gina Davis - large or buff women who looked like they could plausibly kick ass, but still lost a fight on occasion. Slowly the plots were rewritten to make the damsel kick ass of her own accord. A few creative cinematographers hit on the now standard sexual image of a little hot girl toting a big gun. Here we are, 2010, uzi-ed with one 80-pound waif after another foisted on us as the second coming of Bruce Lee. Perhaps a rundown of the more implausible action moments from this year to demonstrate the scope of the problem:
o Mia Wasikowska slays the Jabberwocke in Alice in Wonderland
o Thekla Reuten as ace assassin in The American
o Mila Kunis as incorrigible tough girl in The Book of Eli
o Gemma Arterton kicking ridiculous classical ass in Clash of the Titans AND Prince of Persia: The Sands of Time
o Every computer animation movie
o Scarlet Johanssen randomly takes on a room full of bad guys in Iron Man 2 because, oh by the way, she's also a super hero.
o Zoe Saldana fires guns that weigh more than she does in The Losers
o Whatever was going on in Resident Evil
o That Scott Pilgrim thing has a lot of ninja girls...and super mario coins.
o Maid Marion is reinvented as Legolas in Robin Hood
o Angelina can beat up anyone anytime anywhere in any movie
It’s not that I disapprove of strong female characters – there can be ninja girls thrown in with damsels in equal measure. My concern is more the believability. We rightfully demand that male action stars look like they can beat people up. The same should be true for girls. I am sure that there are females in this world who can kick my ass. I cannot be convinced that Scarlet Johanssen is one of them.
The nadir of this phenomenon is in the movie Red, in which the lovely Helen Mirren is pawned off on us as the world’s greatest assassin. At the movie’s climax, Mirren is filmed gingerly prancing away from a gunfight…we are told this is sprinting. It’s not Ms. Mirren’s fault that she cannot move much faster than an inch-worm. Perhaps the gunmen were too busy laughing to take aim. My point is, when the script says "sprints away from gunfight," part of the acting is looking like you can sprint.
WORST BIG NAME MOVIE:
- Alice in Wonderland – Alice is always a challenge because it has no real plot and is loaded with period references that have no bearing on the modern world. Faced with this challenge, Disney gave it the Hero with a Thousand Faces treatment. The magic of the original book is believed to have been accidentally locked in the supply shed for the Country Bear Vacation Hoedown.
- Edge of Darkness – When you’re as reviled as Mel Gibson has become and you insist on continuing to make movies, every line has to be a shot across the bow of anyone who dares question your talent. Instead, Gibson appears to have extended a withered olive branch on corporate greed. If he wants back in, he should just go ahead and make a reverential Holocaust movie. If not, he should take a page out of Brock Lesnar’s book and double down on being Hollywood’s renegade villain.
- Grown Ups – What if we got several slightly past-peak comedians together and they all decided to not be that funny for 2 hours? Somehow, no one’s flagging career arc was altered.
- Killers – This movie is an interesting experiment in what happens when you have nearly an hour of set-up for a movie that has no plot. Anyways, it was nice to see Tom Selleck’s mustache grimacing on the big screen again.
- Harry Potter Part 7 Part 1 – A gorgeous two hour picture book for vacationing in rural England. A brilliant time to cash in, knowing that it’s too late in the series to kill fan interest in the films with a dud. And oh what a dud. As the one person on earth who has never read a line written by J.K. Rowling, I assure you that as a stand alone movie, this was a disaster of Baron Von Munchausen proportions.
WINNER: Harry Potter Part 7 Part 1. (CAUTION: I was not able to view The Tourist for the purposes of this review. I’m told it’s a strong contestant.)
OUTRIGHT WORST MOVIE:
- I’m Still Here. Joaquin Phoenix memorably grew a beard and went all Fear & Loathing on Letterman, then announcing a move into rapping about 4 years after the shock humor of white guys rapping poorly stopped being funny. This is the sort of career move that makes Andy Kaufman’s 'wrestling women' idea look like Sinatra landing the supporting role in From Here to Eternity. Casey Affleck, circling the drain that his brother Ben recently escaped from, decided to make a semi-planned mockumentary. Put it all together and you have several hours of unwatchable footage of a blathering, coked out hobo bleeding money.
BIGGEST DISAPPOINTMENT:
- Dinner for Schmucks – If we learned one thing from The Cable Guy, it's that funny people can go too far and just be creepy. Dinner for Schmucks' creative team did not see The Cable Guy.
- The Expendables – I gave the preview a standing ovation. I had this idea plus Jackie Chan a decade ago. However, my version did not involve B movie action and no wit.
- The Fighter – For anyone who loves boxing, the Gatti-Ward fights are the definition of the sport at its best. So in making a movie about Mickey Ward, one might reasonably expect a climax with at least the first Gatti-Ward fight. Instead, I left the theater wondering if there was going to be a sequel.
- Knight & Day – Tom Cruise can do whatever he wants at this point in his career. But given his bizarre, extremely public mania, the creepy stalker spy movie idea is kind of like Michael Jackson writing a song about child abuse.
- Secretariat – The underlying rhythm of any pet movie is the animal. For dogs, it’s family. For cats, it’s mystery. In the case of horses, it’s the majesty of the animal. Instead, the horse of all horses spends very little time on camera while we receive a lesson in small business. The worst moment has to be the muted, lo-fi audio knock off of Chic Anderson’s epic, “Tremendous Machine,” call. Given how badly the endings to the year’s top sports movies were botched, it's no wonder LA still doesn't have a football team.
WINNER: The Expendables. Much like Joe Gibbs’ comeback, sometimes the game is too far past you to get caught up.
MOST UNNECESSARY SEQUEL:
- Cats & Dogs: The Revenge of Kitty Galore – Couldn’t this have gone straight to video?
- Little Fockers – After you make one bad sequel, you stop.
- Saw VII – Saw came out in 2004. We have not had a Saw-less year since. Saw 3D was actually billed “The Final Chapter”. Can this madness be stopped?
- Step Up 3D – The unintended consequence of the 3D phenomenon was that every bad movie with a worse sequel had an excuse to make number 3.
- Wall Street: Money Never Sleeps – This wasn’t a bad idea, or even a bad movie. But the ending, with a redeemed Michael Douglas, kills the whole concept. This movie screams for a, “There Will Be Blood” ending – Gecko back on top, remorseless and enthroned, drinking Shia's milk shake. Instead, money goes to sleep in a tidy, focus-group tested, cliché-Hollywood crib.
WINNER: Little Fockers. I think this movie was made only because someone thought the title was funny.
MOST SURPRISINGLY WATCHABLE:
- Fighting
- Karate Kid
- MacGruber
- Predators
- She’s Out of My League
WINNER: Predators. I was sure this franchise was dead and buried. Who knew that Adrien the Kissing Bandit could resurrect it?
BEST LINE TO QUOTE WITHOUT REMORSE:
“We push ourselves, we work around the clock.” “I ALREADY WORK AROUND THE CLOCK!”
– Extraordinary Measures
RUNNER UP: “What’s your number? I find most guys on Wall Street have a specific number in mind of how much they make before they walk away.” “More.”
– Wall Street: Money Never Sleeps
BEST TWIST:
- The Book of Eli
- Inception
- The Other Guys
- Salt
- Shutter Island
WINNER: The Book of Eli. Inception and Salt are nothing but twist, so you can’t pin down that big twist at the end. Shutter Island has you waiting for the twist all movie long. The Other Guys throws the twist at you at the beginning (and it’s damn good). The Book of Eli gets the twist right – you never see it coming.
WILDLY OVERPLAYED CLICHÉ OF THE YEAR:
- Hot girl/old lady as ninja action star. In the 90’s, feminism finally began sniping at the walls of action films, questioning the time-honored damsel-in-distress story line. The result was an early generation of avante guard female actions stars - Sarah Connor, anything with Gina Davis - large or buff women who looked like they could plausibly kick ass, but still lost a fight on occasion. Slowly the plots were rewritten to make the damsel kick ass of her own accord. A few creative cinematographers hit on the now standard sexual image of a little hot girl toting a big gun. Here we are, 2010, uzi-ed with one 80-pound waif after another foisted on us as the second coming of Bruce Lee. Perhaps a rundown of the more implausible action moments from this year to demonstrate the scope of the problem:
o Mia Wasikowska slays the Jabberwocke in Alice in Wonderland
o Thekla Reuten as ace assassin in The American
o Mila Kunis as incorrigible tough girl in The Book of Eli
o Gemma Arterton kicking ridiculous classical ass in Clash of the Titans AND Prince of Persia: The Sands of Time
o Every computer animation movie
o Scarlet Johanssen randomly takes on a room full of bad guys in Iron Man 2 because, oh by the way, she's also a super hero.
o Zoe Saldana fires guns that weigh more than she does in The Losers
o Whatever was going on in Resident Evil
o That Scott Pilgrim thing has a lot of ninja girls...and super mario coins.
o Maid Marion is reinvented as Legolas in Robin Hood
o Angelina can beat up anyone anytime anywhere in any movie
It’s not that I disapprove of strong female characters – there can be ninja girls thrown in with damsels in equal measure. My concern is more the believability. We rightfully demand that male action stars look like they can beat people up. The same should be true for girls. I am sure that there are females in this world who can kick my ass. I cannot be convinced that Scarlet Johanssen is one of them.
The nadir of this phenomenon is in the movie Red, in which the lovely Helen Mirren is pawned off on us as the world’s greatest assassin. At the movie’s climax, Mirren is filmed gingerly prancing away from a gunfight…we are told this is sprinting. It’s not Ms. Mirren’s fault that she cannot move much faster than an inch-worm. Perhaps the gunmen were too busy laughing to take aim. My point is, when the script says "sprints away from gunfight," part of the acting is looking like you can sprint.
Monday, February 21, 2011
The No-Gimmick 2010-11 Oscars Review: Day 1
Kicking off my annual oscars review.
MOST IMPLAUSIBLE CONCEPT OR INADVERTENTLY RIDICULOUS MOMENT:
- Brooklyn’s Finest: Richard Gere is a tough Brooklyn cop. That hamster story chases you in every role.
- Just Wright – An NBA player goes for something other than looks.
- Legion – Paul Bettany is an action super hero.
- Valentine’s Day – Jessica Biel has trouble finding a date on Valentine’s Day. I’m sure America’s unwillingly single women are sympathetic.
- Wolfman – Benecio Del Toro and Anthony Hopkins, prepping for their final werewolf battle, realize that the audience won’t be able to tell which one is which, so they go shirts and skins.
WINNER: Valentine's Day. Memo to Hollywood casting departments: Jessica Biel is hot.
BEST GRATUITOUS CASH-IN ON 3D PHENOMENON:
- Jack Ass 3D
TROY MCCLURE AWARD FOR ANONYMOUS UBIQUITY: Josh Duhamel.
“Hi kids, you might remember me from such 2010 Romantic Comedies as ‘The Romantics,’ ‘When in Rome,’ and ‘Life As We Know It,’ as well as my supporting romcom side-plot role in ‘Ramona and Beezus.’ As a result, I was paid millions of dollars to make out with Ginnifer Goodwin, Kristen Bell, Katie Holmes, Anna Paquin, and Katherine Heigl, at the mere cost of my soul and an increased risk of mononucleosis.”
This man has no conscience. But he would make a great star on TV’s The Batchelor.
On the topic, the following is the year in concept Romantic Comedy. Since I can’t be bothered to watch any of these movies for target-audience related reasons, I have provided a brief synopsis of what happens based on sitting through previews and/or looking at movie posters:
2010: THE YEAR IN CONCEPT ROMCOM:
The Back-Up Plan – Boy meets girl. Girl is pregnant already without knowing it. Existential crisis. Draw little arrow thingies on movie poster to demonstrate twist on normal love story. Hijinx hijinx hijinx. They fall in love and live happily ever after.
The Bounty Hunter – Boy is bounty-hunter. Ex-girlfriend breaks law and he is assigned to snare her. Hijinx, alternative music ensue. They re-fall in love and live happily ever after.
Charlie St. Cloud – Boy meets girl. Boy killed brother. Somehow this conflicts with the girl, who is in existential crisi. Boy falls in love and saves girl from dying like brother. They live happily ever after with dead brother and alternative music. Tagline: “Life is for Living”. No kidding.
Eat Pray Love – Woman is bitterly unhappy in marriage, cue existential crisis. Divorces boy. Travels the world to find herself. Hijinx ensue. Meets other boys, rinse and repeat.
How Do You Know – Girl is with guy, causing existential crisis for no apparent reason…old flame rolls in…cue alternative music - that's how you know.
Just Wright – Queen Latifa convinces an NBA player that there’s more to woman than what’s on the outside. It’s a healthy dose of sarcasm that counts.
Leap Year – Girl wants to marry commitment-lite boy. Obscure European tradition related to love holds solution. Somehow she ends up chasing her corporate boy in rural Ireland, meets charming local. Existential crisis ensues.
Letters to Juliet – Girl uncovers obscure European tradition involving love letters. Decides to ditch vacation and resolve love story revealed in stolen mail, meeting boy, alternative music in process. Happily Ever After ensues.
Love & Other Drugs – Evil drug salesman boy meets untamed patient girl. They fall in love and learn life lessons. There may or may not be alternative music.
When in Rome – Girl in existential crisis discovers obscure European tradition related to love. Meets boys. They all fall in love with her. Cue alternative music, hijinx.
THE NICHOLAS CAGE AWARD FOR BIGGEST SELLOUT:
- Nicholas Cage – Sorcerer’s Apprentice – The award isn’t named after him because he DOESN’T do at least one of these paycheck films per year.
- Jackie Chan – The Spy Next Door – I appreciate how hard it is to find roles in your non-native language. I do not appreciate Jackie Chan starring in The Spy Next Door.
- Brendan Fraser - Furry Vengeance – Fraser has yet to be type-cast and, with success in several genres, is a darkhorse bet for a late career Tom Hanks run of well-regarded dramas. However, Furry Vengeance ups the odds that he is simply nearing a premature end.
- Dwayne The Rock Johnson – The Tooth Fairy – You were supposed to be the chosen one! Arnold’s successor. Why?
- Owen Wilson – Marmaduke – I find Wilson hard to criticize between the suicide attempt and the general likeability. Instead, I will merely point out that, to my knowledge, this is the only non-Garfield comic strip to make the jump into low-rent family comedy film. Thank God Bill Waterson has kept Calvin & Hobbes pristine.
WINNER: The Rock.
2010’s BEST INADVERTENT PORN TITLES:
- 8: The Mormon Proposition
- Country Strong
- Winter’s Bone
- Despicable Me
- How to Train Your Dragon
- I’m Still Here
- You Again
- Faster
- Alice in Wonderland
- 127 Hours
WINNER: All of us.
MOVIES I AM LEAST LIKELY TO EVER SEE:
- Burlesque – Wasn’t one Showgirls enough?
- For Colored Girls – It’s not called, “For Colored Girls and Justin”
- Greenberg – Do we really need another neurotic Jewish guy existential crisis movie? Didn’t Woody Allen have this covered?
- Gulliver’s Travels – Will Jack Black ever be funny again? I’m starting to wonder whether he was ever funny in the first place.
- Sex & The City 2 – That target audience thing again.
Kicking off my annual oscars review.
MOST IMPLAUSIBLE CONCEPT OR INADVERTENTLY RIDICULOUS MOMENT:
- Brooklyn’s Finest: Richard Gere is a tough Brooklyn cop. That hamster story chases you in every role.
- Just Wright – An NBA player goes for something other than looks.
- Legion – Paul Bettany is an action super hero.
- Valentine’s Day – Jessica Biel has trouble finding a date on Valentine’s Day. I’m sure America’s unwillingly single women are sympathetic.
- Wolfman – Benecio Del Toro and Anthony Hopkins, prepping for their final werewolf battle, realize that the audience won’t be able to tell which one is which, so they go shirts and skins.
WINNER: Valentine's Day. Memo to Hollywood casting departments: Jessica Biel is hot.
BEST GRATUITOUS CASH-IN ON 3D PHENOMENON:
- Jack Ass 3D
TROY MCCLURE AWARD FOR ANONYMOUS UBIQUITY: Josh Duhamel.
“Hi kids, you might remember me from such 2010 Romantic Comedies as ‘The Romantics,’ ‘When in Rome,’ and ‘Life As We Know It,’ as well as my supporting romcom side-plot role in ‘Ramona and Beezus.’ As a result, I was paid millions of dollars to make out with Ginnifer Goodwin, Kristen Bell, Katie Holmes, Anna Paquin, and Katherine Heigl, at the mere cost of my soul and an increased risk of mononucleosis.”
This man has no conscience. But he would make a great star on TV’s The Batchelor.
On the topic, the following is the year in concept Romantic Comedy. Since I can’t be bothered to watch any of these movies for target-audience related reasons, I have provided a brief synopsis of what happens based on sitting through previews and/or looking at movie posters:
2010: THE YEAR IN CONCEPT ROMCOM:
The Back-Up Plan – Boy meets girl. Girl is pregnant already without knowing it. Existential crisis. Draw little arrow thingies on movie poster to demonstrate twist on normal love story. Hijinx hijinx hijinx. They fall in love and live happily ever after.
The Bounty Hunter – Boy is bounty-hunter. Ex-girlfriend breaks law and he is assigned to snare her. Hijinx, alternative music ensue. They re-fall in love and live happily ever after.
Charlie St. Cloud – Boy meets girl. Boy killed brother. Somehow this conflicts with the girl, who is in existential crisi. Boy falls in love and saves girl from dying like brother. They live happily ever after with dead brother and alternative music. Tagline: “Life is for Living”. No kidding.
Eat Pray Love – Woman is bitterly unhappy in marriage, cue existential crisis. Divorces boy. Travels the world to find herself. Hijinx ensue. Meets other boys, rinse and repeat.
How Do You Know – Girl is with guy, causing existential crisis for no apparent reason…old flame rolls in…cue alternative music - that's how you know.
Just Wright – Queen Latifa convinces an NBA player that there’s more to woman than what’s on the outside. It’s a healthy dose of sarcasm that counts.
Leap Year – Girl wants to marry commitment-lite boy. Obscure European tradition related to love holds solution. Somehow she ends up chasing her corporate boy in rural Ireland, meets charming local. Existential crisis ensues.
Letters to Juliet – Girl uncovers obscure European tradition involving love letters. Decides to ditch vacation and resolve love story revealed in stolen mail, meeting boy, alternative music in process. Happily Ever After ensues.
Love & Other Drugs – Evil drug salesman boy meets untamed patient girl. They fall in love and learn life lessons. There may or may not be alternative music.
When in Rome – Girl in existential crisis discovers obscure European tradition related to love. Meets boys. They all fall in love with her. Cue alternative music, hijinx.
THE NICHOLAS CAGE AWARD FOR BIGGEST SELLOUT:
- Nicholas Cage – Sorcerer’s Apprentice – The award isn’t named after him because he DOESN’T do at least one of these paycheck films per year.
- Jackie Chan – The Spy Next Door – I appreciate how hard it is to find roles in your non-native language. I do not appreciate Jackie Chan starring in The Spy Next Door.
- Brendan Fraser - Furry Vengeance – Fraser has yet to be type-cast and, with success in several genres, is a darkhorse bet for a late career Tom Hanks run of well-regarded dramas. However, Furry Vengeance ups the odds that he is simply nearing a premature end.
- Dwayne The Rock Johnson – The Tooth Fairy – You were supposed to be the chosen one! Arnold’s successor. Why?
- Owen Wilson – Marmaduke – I find Wilson hard to criticize between the suicide attempt and the general likeability. Instead, I will merely point out that, to my knowledge, this is the only non-Garfield comic strip to make the jump into low-rent family comedy film. Thank God Bill Waterson has kept Calvin & Hobbes pristine.
WINNER: The Rock.
2010’s BEST INADVERTENT PORN TITLES:
- 8: The Mormon Proposition
- Country Strong
- Winter’s Bone
- Despicable Me
- How to Train Your Dragon
- I’m Still Here
- You Again
- Faster
- Alice in Wonderland
- 127 Hours
WINNER: All of us.
MOVIES I AM LEAST LIKELY TO EVER SEE:
- Burlesque – Wasn’t one Showgirls enough?
- For Colored Girls – It’s not called, “For Colored Girls and Justin”
- Greenberg – Do we really need another neurotic Jewish guy existential crisis movie? Didn’t Woody Allen have this covered?
- Gulliver’s Travels – Will Jack Black ever be funny again? I’m starting to wonder whether he was ever funny in the first place.
- Sex & The City 2 – That target audience thing again.
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